Peace Corps writers

Here’s what iUniverse’s  “product description” says of novel Tanga, written by Eric Madeen, an RPCV from Gabon and  currently an associate professor of English at Tokyo City University. After reading this “product description” you can’t say RPCVs lack imagination! TANGA is a novel of forbidden love set in a rain forest village in the heart of Africa. It seamlessly merges adventure, romance, and the psycho-thriller while deconstructing Joseph Conrad’s Heart of Darkness, with David undergoing the Kurtz syndrome — to a lesser degree, of course. Like Kurtz, David enters the heart of “blackest” Africa as a white man, and as a Peace Corps volunteer of genuine idealism, he finds himself both “corrupted by” and also empathizing with the Africans he becomes involved with, and tempted to “go native.” In sum, TANGA is an irresistible love story. From the moment David sees Assam naked in the stream, right up through his final . . .

If the Peace Corps did anything, it turned us into readers and we are better for it. But being a reader doesn’t make us writers. That’s the rub. Having a great (or not so great) Peace Corps experience doesn’t turn us into writers, either, though it might help when it comes to the story told. Being an English major doesn’t make one a writer, and it can even hurt an RPCV writer, having read (and then trying to write like) one of those great writers from lit classes. What I’ve seen editing PeaceCorpsWriters are a lot of self-published books that have very limited value and aren’t well written. For example, some RPCVs think that they can collect all those letters home, slap them together, add a few grainy black-and-white-photos, and have a book. Rarely, are those Letters Home worth reading by anyone outside of the family. The other Peace Corps . . .

Rob Davidson (Grenada 1990-92), who served with his wife on the island of Carriacou, and who went onto earn his doctoral candidate in American literature at Purdue University, is the author of a collection of stories entitled Field Observations that won the Peace Corps Writers Maria Thomas Award a few years back, and he has a new honor to his credit. Camber Press just announced the winner of the first annual Camber Press Fiction Chapbook Award. It is Rob Davidson’s entry entitled “Criminals” chosen by writer Ron Carlson from among a group of unidentified submissions. Davidson, a resident of Chico, California, sets his story on the small Caribbean island of Carriacou. Our distant, academic narrator takes us to this island where goats outnumber people two to one. Natives practice grudges, judgments, stubbornness, and things are never as simple as right or wrong. More accurately, they’re about how one resolves issues within the . . .

I have been writing the occasional blog about self-published books, mostly as a way of encourage people to write them, and while encouraging them to write, to suggest–urge–that they get a good editor (or 2) to work on their prose and poetry. Writing good prose is not easy and it takes a lot of work just to write one good sentence, let alone two good sentences. Lauri Anderson (Nigeria 1965-67) a creative writing professor as well as a novelist dropped me a note recently that I think adds to my discussion about self-published books. Here is what Lauri has to say: “I have read a few fine books that were self-published.  An RPCV friend at the University of Michigan Flint self-published a novel that I read from cover to cover and enjoyed.  One of my favorite travel books was self-published.  For every one such well-written self-published book there are hundreds of mediocre . . .

Poet Ann Neelon teaches in the Creative Writing Program at Murray State University and edits New Madrid magazine. Here she reviews The Baker’s Boy by Barry Kitterman — winner of the 2009 Maria Thomas Peace Corps Writers Award for Fiction. • The Baker’s Boy by Barry Kitterman (Belize 1976–78) Southern Methodist University Press 2008 336 pages $22.50 Reviewed by Ann Neelon (Senegal 1978–79) In reading Barry Kitterman, I find myself rediscovering the pleasures of reading Dostoyevsky — admittedly an extravagant claim in response to a first novel. Like Crime and Punishment, The Brothers Karamazov, The Idiot and/or The Possessed, The Baker’s Boy constitutes a powerful work of moral imagination. Brothers Albert and Junie and their cohorts-including Broke-hand, Mouse, Snot, Milkboy, Corky, Cowboy, Whiteboy, Redboy, Bigboy, Leeboy, and Blackboy-are no choir boys, as Tanner Johnson, their teacher at the New Hope School, duly notes (this despite the fact that Albert and . . .

I am amused when first time published writers, usually self published vanity authors, get all testy with me when their writing is criticized, even lambasted, by one of our reviewers on this site, or by yours truly. Having been in this game of writing for some forty years, with 25 plus books published, I have had my fair share (actually, more than my fair share) of bad reviews, put downs, and slam dunks from critics and good friends. This last weekend I came across a wonderful collection of put downs and slam dunks by writers. The book is entitled W.O.W.: Writers On Writing,edited by Jon Winoku and published first in 1986 by Running Press Books of Philadelphia. There are many back-and-forths about Truman Capote who really bought the acid tongues out in other writers. Everyone picked on poor Truman. Here’s a sample of some of the snide remarks that the . . .

Author and former criminal defense attorney Phillip Margolin will speak in Central Oregon. This is a piece that appeared today (September 1, 2009) in The Bulletin by David Jasper. It is an interview with  Phillip Margolin (Liberia 1966-68) one of the  more successful RPCV writers. • “Good afternoon, law offices,” says a receptionist for author Phillip Margolin, focus of Deschutes Public Library’s Celebrate Oregon Author series for the month of September. The Portland-based writer of 14 best-sellers may have stepped away from a 25-year career as an attorney back in 1996, but that didn’t mean he was going to surrender his office. “I just kept my old office,” says Margolin, 65. “I like having a place to come … to. For me, it’s nicer to have an office. There’s just a lot of stuff I do downtown. I work out downtown … take coffee breaks and snacks and lunch.” He’ll . . .

On November 18, 2009, Andrew Oerke (PC/Staff in Tanzania & Uganda, and CD in Malawi and Jamaica from 1966-71) will be presented with the USA Club of Rome Lifetime Achievement Awards for his latest collections of poems, Songs of Africa, published in English and Bulgarian by PSP & Fakel in Sofia, Bulgaria. The presentation will be made at the National Press Club in Washington, D.C.  Andrew is the 2006 winner of the Peace Corps Writers Award for Best Poetry Book. He also received the United Nations Artists and Writer’s Association award for Literature for his two volumes African Stiltdancer and San Miguel de Allende. Besides his time with the Peace Corps, Andrew worked on microcredit projects in more than 60 nations around the world. Of his poetry, noted literary critic Harold Bloom has written, “Oerke’s eye is shrewd, his mind capacious, and his generosity toward humankind is endless. His poems, whether set in Africa, . . .

John Givens (Korea 1967-69) has a story in The Mississippi Review currently online at http://www.mississippireview.com. The Mississippi Review is published by the Center for Writers at the University of Southern Mississippi. The story is about a rogue samurai solving problems in the 17th century entitled, “The Buddha-nature of the House: John is from Northern California and earned his BA in English literature at the California State University Fresno and his MFA in creative writing at the Iowa Writers’ Workshop, University of Iowa, where he was a Teaching/Writing Fellow. [John is one of many fine Peace Corps writers who attended the famous Iowa writing program. The RPCV writers include Phil Damon (Ethiopia 1963-65), who, I believe, was the first RPCV in the program,  Richard  Wiley (Korea 1967-69),  and most recently Matt Davis (Mongolia 2001-03).]  Afterwards John studied language and art in Kyoto for four years, then worked as a writer & editor in Tokyo for . . .

RPCV Kent Haruf’s (Turkey 1965-67) novel, Plainsong is one of the five books the President is reading this summer. The book is described on the jacket as a masterful detailing of unsettled lives, bound by their windswept town and landscape — “their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant.” Slate’s political writer, John Dickerson,  “analyzed” the list and said that Haruf’s book was the only one that showed “geographical and literary diversity.” The other four books are: The Way Home, by George Pelecanos Hot, Flat and Crowded, by Tom Friedman Lush Life, by Richard Price John Adams, by David McCullough

Footsteps by Kirsten Johnson (Kenya 1982–84) Plain View Press 2009 248 pages $18.95 www.plainviewpress.net

From the first days of the agency, Peace Corps Volunteers have been rich characters for novels not written by PCVs. The first books about the Peace Corps were young adult novels. In 1963, Breaking the Bonds: A Novel about the Peace Corps, written by Sharen Spence, had a short introduction by Sargent Shriver and was dedicated to “All Peace Corps Volunteers serving the world with discipline, determination, endurance, and a rare idealism.” This novel is set in Nigeria. Then in 1965 came a series of young adult novels entitled Kathy Martin: Peace Corps Nurse, about a Volunteer in Africa. Another “nursing novel” for a YA audience was written by Rachel G. Payes and published by Avalon Books in 1967. In 1968 came the most well known of all “Peace Corps novels,” The Zinzin Road, by the very successful commercial novelist and political writer, Fletcher Knebel, who worked briefly as a Peace . . .

Allah’s Garden Thomas Hallowell (Morocco) Tales Press 198 pages March 2009   The 38 Million Dollar Smile by Richard Stevenson (aka Richard Lipez (Ethiopia 1962-64) mlrpress September 2009   Four Corners: The Vineyards and Wineries of New Mexico, Arizona, Utah and Colorado By Starley Talbott (South Africa, 2001) Plainstar Press 2009 Trade Paperback $24.95   San Francisco Tenderloin true stories of heroes, demons, angels, outcasts & a psychotrherapist (Expanded Second Edition) by Larry Wonderling (PC/COR Puerto Rico 1968-70; Afghanistan 1970-73; early ’80s Central and Latin America; late ’80s Africa) Cape Foundation Publications, $24.95 408 pages 2008   Portrait of a Peace Corps Gringo By Paul Arfin (Colombia 1963-65) Self-Published, $17.99 356 pages 2009 paularfin@gmail.com La Ranfla and other New Mexico Stories By Martha Egan (Venezuela 1967-69) Papalote Press, $24.95 200 pages 2009 www.papalotepress.com Rock Worn by Water (Poems) By Florence Chard Dacey (Nigeria 1963-65) Plain View Press, $14.20 77 pages . . .

Americans Do Their Business Abroad The Peace Corps Latrine Reader (A collection of essays by RPCVs) edited by Jake Fawson (Gabon 2000–02) and Steve McNutt (Gabon 2000–02) Other Places Publishing December 2008 $16.95 Reviewed by Travis Leger (East Timor (2005–06) reviews the our site. I submitted to this book when Fawson and McNutt put out their request for stories. I had just returned from East Timor, though prematurely. We were the last group there before they evacuated the entire program. I submitted a story about our adopted dog when she was in heat and one of her lovers, Stubby.  And since the editors didn’t choose it I am going to use this opportunity to publish it here: Stubby We called the dog Stubby. I don’t even remember its real name. It was our neighbor’s and it barked at us incessantly.  We had just moved into the house, a small, two-bedroom . . .

Lawrence F. Lihosit (Honduras 1975-77) has self-published a number of travel books since returning from Honduras. The following piece is from a collection of stories that he will publish soon. In the preface, Larry writes, “Sometimes life offers delicious experiences when least expected. These stories were born in such circumstances a quarter of a century ago, shortly after returning home following five years south of the frontera. Studying art at a local junior college, I was fascinated by students who set up easels in art museums and tried to recreate masterpieces stroke for stroke. This led to my own experiment; to write my own stories while emulating the styles of my favorite authors. “Today it seems blasphemous to mention their names when referring to my efforts. However, it is worth mentioning that the exercise offered me an opportunity to be as crazy as I wanted to be. Heck, one of . . .