Author Interviews

  SOUTHERN LITERARY REVIEW A Magazine for Literature of the American South • AM:  I’m glad we have this opportunity, Melissa, to talk about your profound new book, The Advocacy, which is set in 1992 in Obuasi, Ghana, a mining town known for its gold. You lived in this town in 1992 and remained there for a few years while you worked for the Peace Corps. How did your experiences shape and inform the writing of The Advocacy? MF:  Thank you, Allen, for your kind words and for this opportunity to talk about The Advocacy. I lived in Obuasi for two years [1992–94], the normal duration of a Peace Corps tour. The experience touched me on a spiritual level. The richness of that life inspired my dedication to completing the novel over the course of 25 years. I find that a story lives in the telling, not within the premise or plot. For . . .

Thanks for the ‘heads up’ from Steven Boyd Saum (Ukraine 1994–96)   Kirkus Review by Walter Rutter-Bowman      “I had a sense as a very young child,” says Melissa Fischer (Ghana 1992-94), debut author of The Advocacy, “that I would grow up and write a novel. That was just a form that I loved.” The Advocacy is set in Ghana, where the author served in the Peace Corps. While there, Fischer kept three journals. “One was my personal journal,” they say. “One was a professional journal. And then I kept a journal as if I was speaking to my family and friends—as if I was telling them the story.” That third journal became the first draft of the novel. Fischer, who now lives in Los Angeles and works for the LA County Sanitation Districts, lived in Ghana for two years. A civil engineer, they worked for a water and sanitation agency in a gold mining . . .

  Martin Ganzglass answers questions from Peace Corps Worldwide about The Price of Freedom — the 6th and closing novel of his Revolutionary War series that will make you want to read all six!     Where and when did you serve in the Peace Corps? Tell us about where you lived and worked. I was a PCV in Somalia from 1966 to 1968. I lived in Mogadishu with my wife, who was also a Volunteer, in a small apartment in a two-story building above a Pakistani owned grocery shop. The street below teemed with Somalis going to the numerous markets in our neighborhood. Behind us, was Hamaar Weyn, the old area of the city where women wore burkas, goldsmiths sold intricately fashioned jewelry by weight, and weavers sat in pit looms and made Benaadir cloth. The mosque immediately behind our building lacked a live Muezzin to call people to prayer, but . . .

  The poems in Strange Beauty of the World invite readers to reflect on the ways the past impinges on the present, how events long ago continue to inform who we are now; to consider acts taken and not taken, and the way actions have unintended consequences; to bear witness to cruelty and injustice; to summon the creative imagination to resist the mundane, challenge the rehearsed response. In particular, they pay homage to beauty, and its weird, wonderful diversity and expression. As with many aspects of his life, Bill Preston never started out to be a poet. Nor does he really think of himself as one: Strange Beauty of the World is his sole collection of poems, and he currently has no plan to write another. Not that planning has ever been his particular strong point. In fact, Bill never planned on joining the Peace Corps, choosing to serve in VISTA first, . . .

    Brother Guy Consolmagno (Kenya 1983-85) was appointed Director of the Vatican Astronomical Observatory by Pope Francis in 2015. His books include Brother Astronomer: Adventures of a Vatican Scientist and Would You Baptize an Extraterrestrial?: and Other Questions from the Astronomers’ In-box at the Vatican Observatory. He is known as “The Pope’s Astronomer.” In a radio interview on NPR recently he spoke of his Peace Corps experience and astronomy: Interviewer: And then you went into the Peace Corps and you’ve said that you couldn’t see the point of studying stars when people were dying of hunger. So I want to ask you how you saw the point of studying stars differently when you went back to astronomy after Kenya? Br. Consolmango: Well, I joined the Peace Corps with the attitude I’ll go wherever they ask me to go because they know better than me where they can use me. And after . . .

    The January/February issue of Conde Nast Traveler has an interview with Paul Theroux (Malawi 1963-65) done by Francesca Babb entitled “The Globetrotter” and the headline: “The novelist and master of travel writing, who made his name journeying from the U.S. to Japan and back by train for The Great Railway Bazaar, hit the open road for his latest book.” (The interview is on page 113 of the thick issue subtitled: THE GOLD LIST 2020.) Theroux’s new book is On the Plain of Snakes A Mexican Road Trip. The interviewer, however, doesn’t so much focus on the new book as ask Paul about his life and travels. While his time in the Peace Corps doesn’t come up, there are nevertheless interesting questions and replies. A few exchanges . . .   What is the greatest train route on earth? “Ho Chi Minh to Hanoi. It was built after the . . .

    Nancy, where and when did you serve in the Peace Corps? I had the privilege of serving in the village of San Pedro Columbia in Belize, Central America, from 1989–1991. I loved it! The village is inhabited by K’ekchi Mayan families who are mostly subsistence farmers. When I lived there, the population was about 1,000 people; it was one of the larger Mayan villages in the southernmost district of Belize. What was your Peace Corps project assignment? Originally, I was sent to the village to teach the villagers how to plant carrots in order to increase their intake of Vitamin A. Vitamin A helps prevent vision loss — something that many of the K’ekchi experience. The project, which was called Relevant Education for Agricultural Production (REAP), was a district-wide initiative, but, unfortunately, we Volunteers found it difficult to implement. Most of us were trained as teachers and had . . .

    Talking with Bill Owens (Jamaica 1964–65) By Tony D’Souza (Ivory Coast 2000–02, Madagascar 2002–03) Bill Owens (Jamaica 1964-1965) took iconic photos of the Hells Angels beating concertgoers with pool cue sticks at the Rolling Stones’ performance during the Altamont Speedway Free Festival four months after Woodstock on December 6, 1969. Altamont, which included violence almost all day and one stabbing death, is considered by historians as the end of the Summer of Love and the overall 1960s youth ethos. This series of photos include panoramas of the massive, unruly crowd, Grace Slick and Carlos Santana on stage with the press of humanity so close in, they’re clearly performing under duress. Of that day, Owens has written: I got a call from a friend, she said the Associated Press wanted to hire me for a day to cover a rock and roll concert. I road my motorcycle to the . . .

    Craig Storti (Morocco 1970-72) is a nationally known expert in the field of intercultural communications and cross-cultural adaptation. He is Director of Communicating Across Cultures. Internationally known as an expert in intercultural communications and cross-cultural adaptation, he is the author of many books, including Culture Matters, a cross-cultural workbook used by the U.S. government in over 90 countries. He is also the author of a book read by many PCVs, The Art of Crossing Cultures. Craig’s most recent book is Why Travel Matters: A Guide to the Life-Changing Effects of Travel, reviewed on this site.. He has lived nearly a quarter of his life abroad—with extended stays in Moslem, Hindu, and Buddhist cultures—and speaks French, Arabic, and Nepali. In his interview with Forbes Magazine, Laura Brown asked: What does the rest of the business world think of U.S. communication style? And how can U.S.-based businesses communicate productively with their global . . .

    Editor John Coyne talks with Peter Hessler (China)   Peter Hessler Discovers Egypt Peter Hessler is a 1992 graduate of Princeton University, a Rhodes Scholar at Oxford, and was a Peace Corps Volunteer in China from 1996 to 1998. Since that time he has worked in China as a freelance writer for numerous publications such as the Wall Street Journal, Boston Globe, South China Morning Post, and National Geographic. In 2008, he won the National Magazine Award for excellence in reporting, and since 2000 he has been a staff writer at The New Yorker. Hessler has written four books on China. River Town: Two Years on the Yangtze, which won the 2001 Kiriyama Book Prize, describes Hessler’s experience as an English teacher in Fuling, a small city on the Yangtze River. Oracle Bones: A Journey Through Time in China, a finalist for the 2006 National Book Award, explores the intersection . . .