A Writer Writes

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“Carlos and the Parrot” by Becky Wandell (Ecuador)
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HUSTLE: The Making of a Freelance Writer by Lawrence Grobel (Ghana)
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A Writer Writes — “The Cotton Trenches of Uzbekistan”
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A Writer Writes — Death at Tinta by Michael J. Beede (Peru)

“Carlos and the Parrot” by Becky Wandell (Ecuador)

A Writer Writes Throughout my service, I lived in the rural outskirts of a bustling city, and sometimes I walked to town. It was a 45-minute stroll, all downhill, which gave me a chance to wave to the shop owners setting out their brooms, their fresh-baked rolls and their publicity boards announcing a new item. If I timed it right, I passed by Luis. His black bowler hat made him look taller than he was as he shuffled up the sidewalk with his large black cow in tow. I’d give him a nod and smile, his coffee-brown wrinkled face always emitting enough sunshine to fill my day. While hopping over the heaved slabs of sidewalk and steering around the sections of mud and litter in the path, I took in the distant vistas, the passing cars and the groans of buses grinding up the hill. After several months of living . . .

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HUSTLE: The Making of a Freelance Writer by Lawrence Grobel (Ghana)

HUSTLE: The Making of a Freelance Writer by Lawrence Grobel (Ghana 1968-71) Independently Published 358 pages August 2023 $19.95 Paperback   Lawrence Grobel  writes: Freelancers are people willing to take risks, willing to gamble that they can succeed without a steady paycheck. Most of the people I’ve written about have had the confidence to believe in themselves, and most can point to how they maneuvered down precarious and uncertain paths. In my career as a freelance writer, I’ve had moments of doubt. I’ve suffered rejections and cancellations. But there were crossroads along the way that allowed me to continue pursuing my dream of working for myself, doing what I wanted to do, and figuring out how to survive. Freelancing is a lifestyle. In preparing this book, I marvel at how I somehow managed to avoid all the pitfalls and not drown in pessimism. When Alfred Hitchcock, Leonard Bernstein, and Fred . . .

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A Writer Writes — “The Cotton Trenches of Uzbekistan”

    by Beatrice Grabish Hogan (Uzbekistan 1992-94) Dispatch from Uzbekistan’s cotton campaign November 1993   On the fifth day of barf (Tajik for “snow”), the troops surrendered. The war, a.k.a. the cotton harvest, lasted eight weeks this year and yielded (only) 87% returns. I had watched my students pile into a 25-vehicle motorcade and wind around the mile-long university boulevard amidst handkerchief waving and cheers from teachers and other onlookers. Two days later, much to the horror and surprise of my women colleagues at Samarkand State University, I joined the students’ work camp. On October 5, I arrived at the collective farm called Guzelkent, about 40 kilometers outside the city limits. The place was a collection of brown-streaked, whitewashed houses made of mudbrick, rising like Oz out of acre upon acre of cotton fields. It was a scene framed by purple mountain peaks and a flawless blue sky. At . . .

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A Writer Writes — Death at Tinta by Michael J. Beede (Peru)

  DEATH AT TINTA By Michael J. Beede (Peru 1963-64) • At dawn on February 4, 1964, my partner Ron Arias (Peru 1963-64) and I left our home base in Sicuani, Peru. We were headed for Tinta, 17 miles away, a small nearby town in the Quechua-speaking boondocks three hours south of Cuzco.  It was to be a routine inspection trip to monitor the distribution of USAID food in the rural schools enrolled in the government’s school lunch program.  Nothing out of the ordinary was expected. At the time, Ron and I had the use of a Peace Corps Jeep to visit these rural areas. That morning I was driving our pastel blue Peace Corps Jeep with Ron riding shotgun. We stuck out like a sore thumb, an inviting target for mischief. A fine powder billowed up from the unpaved dirt road filling the cab with a choking cloud of . . .

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