Author - John Coyne

RPCV Photographer Nathan Fitch (Micronesia 2004–06) works as the studio manager for a National Geographic photographer, and is also a photographer with a brilliant new show —  “Double Vision” — that is currently at AS220’s Main Gallery, 115 Empire St. in Providence, Rhode Island. Nathan writes, “The “Double Vision” show came out of my interest in working with people with disabilities and in the arts.” A while back Nathan was looking for an organization with which to do some volunteering when he found Top Drawer Art Center, a nonprofit visual art center providing art programs for adults with developmental disabilities. By chance they had a part time job they needed to be filled. During the nine months he spent at Top Drawer he took photographs of the adults as they worked, and he started thinking that a show might evolve from the photos. “Rather than only having my outside perspective . . .

Neil Sagebiel, the editor of the wonderful blog Armchair Golfer just published this short piece I wrote for him on Arnold Palmer. Here it is, story about the King. The iconic Palmer brought golf to the masses (and breakfast table). By John Coyne Special to ARMCHAIR GOLF GOLF MAGAZINES THIS PAST month were filled with remembrances of Arnold Palmer on the occasion of his 80th birthday. I read Boo Weekley’s account in the September 14, 2009 issue of Golf World about how Arnie said he always signed an autograph so people could read it. It reminded me of seeing Palmer at the PGA Championship at Congressional Country Club back in the ’70s. Arnold was coming into the press room for an interview and was stopped by a 10-year-old for an autograph, and I watched as he carefully wrote out his full name for the young boy. However, the best story . . .

This morning on NPR Garrison Keillor, as a part of his writer’s almanac series, honored Peace Corps and read part of Kennedy’s speech in Ann Arbor, MI.  Click the link here for the text or option to download the audio. http://writersalmanac.publicradio.org/ Kennedy first spoke about the idea of a Peace Corps in his final weeks of campaigning for the presidency. At 2 a.m. on October 14, 1960, after a long day of campaigning, the young senator stood on the steps in front of the student union at the University of Michigan. The journalists had gone home, thinking that nothing more would happen that day, but 10,000 students remained, hoping to see and hear Kennedy. He gave a short speech, in which he said: “I think in many ways it is the most important campaign since 1933, mostly because of the problems which press upon the United States, and the opportunities . . .

[Coming soon on this website will be a new blog by David Searles, Remember the ’70s, as we fill in some missing years in the history of the Peace Corps. David is the author of one of the important books on the  agency,The Peace Corps Experience.   Welcome, David! We look forward to your stories and observations.] P. David Searles served three years as the Country Director for the Peace Corps in the Philippines (1971-74), and two years at Peace Corps headquarters as Regional Director for North Africa, Near East, Asia, and Pacific (NANEAP) and as Deputy Director under John Dellenback (1974-76). His career has included periods during which he worked in international business, government service and education. After service in the United States Marine Corps (1955-58) Searles worked in consumer goods marketing and in general management positions in the United States, the United Kingdom, Canada and Latin America. His business career was . . .

As the Peace Corps approaches its 50th anniversary, the service program is at something of a crossroads. The agency never fulfilled President Kennedy‘s dream of sending 100,000 Americans abroad every year, and it has been criticized for parachuting too many inexperienced college grads into development jobs they aren’t prepared for. But friends in Congress have secured a 10 percent budget increase for the Peace Corps, and some of the agency’s boosters are hoping for more soon. Enter Aaron Williams, a volunteer in the Caribbean in the late-1960s who has now returned to lead the agency. He spoke to NationalJournal.com’s David Gauvey Herbert about putting a price tag on the Peace Corps experience, the dangers of tying the agency too closely to American foreign policy and his own experience in the Dominican Republic. NJ: You served in the Peace Corps in the Dominican Republic from 1967 to 1970. What doors did . . .

Tina Thuermer (Zaire 1973-75) grew up in India, Africa and Germany, and was at the airport in Ghana in 1961, aged 10, to greet the first Volunteers who arrived to serve there.  That inspired her to join the Peace Corps after she finished college at Bard. She served as a PCV English teacher at a Protestant mission in Zaire after only  two weeks of pedagogical training. Today, Tina teaches journalism and Theory of Knowledge at the Washington International School in Washington D.C. and is considering rejoining the Peace Corps when she retires, assuming she can ever afford to retire. Having read about PCVs and what they are reading (or read) on this website, Tina sent me the following account of  her reading time in Zaire, back in the day.  One of the wonderful things about being in Peace Corps back in the day was that without the internet, a phone, TV, or even mail, one . . .

On the website Gamasutra, the Art & Business of Making Games there is a piece on Aaron Oldenburg, who was a PCV in Mali and has come up with a great idea for a game that tells the story of his time in Africa. Now at the University of Baltimore as an assistant professor, he has created an interactive narrative, much like being a counselor for the player, he said during a Tuesday session at the GDC Austin Game Writers Summit. Here is his story, as reported by Kris Graft: Oldenburg is the man behind the Flash-based interactive narrative called The Mischief of Created Things, a work based on his two years as a Peace Corps worker in the West African country of Mali. During his time there, he had journal entries, letters home, and many pictures of his experiences. “Coming back and telling stories wasn’t satisfying. It didn’t go . . .