Author - John Coyne

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100 Days (Or Less) Part Twelve: Day Seven
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Peter Hessler Appearing In San Francisco
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RPCV Matt Davis (Mongolia 2000-02) publishes memoir
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Peace Corps At Day One: #11
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Peace Corps At Day One, # 10
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University Plans First Event For The Peace Corps 50th Anniversary
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100 Days (Or Less) Part Eleven: Day Six
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Review Of Cynthia Morrison Phoel (Bulgaria 1994-96)
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Peace Corps At Day One, # 9
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Review of RPCV Jesse Lonergan's Joe and Azat
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Peace Corps At Day One, # 8
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100 Days (Or Less) Part Ten: Day Five
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Peace Corps At Day One, # 7
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Peace Corps At Day One, # 6
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100 Days (Or Less) Part Nine: Day Four

100 Days (Or Less) Part Twelve: Day Seven

Day Seven When I used to teach creative writing, I would tell the students to make their characters want something right away-even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time. Kurt Vonnegut Figure out who you need in the story and what they do together or to one another, and what the story does to them. Are they all pulling together in one direction? Are they pulling in six different directions? Ask yourself the critical question: Which would be most interesting to the reader? That’s the real litmus test of character development and plotting. Will the reader be interested? Will the reader care? To be successful in character and plot development, you need to make hard choices. You need to be ruthless with your characters and your story. Who’s in, who’s out? What’s in, . . .

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Peter Hessler Appearing In San Francisco

Peter Hessler (China 1996–98) and his wife, Leslie T. Chang, will be speaking on the University of San Francisco Campus on Tuesday, February 23.  Peter will be discussing his new books, Country Driving: A Journey Through China from Farm to Factory, together with Leslie talking about Factory Girls: From Village to City in a Changing China, now out in paperback. The discussion will start at 5:45 in USF Lone Mountain Campus Room 100, (2800 Turk Blvd between Masonic and Parker.) The event is free and open to the public. For information and a reservation, call (415) 422-6357,  and tell Peter you’re a PCV…also buy the book. It is terrific! For those of  you who are new to Peter Hessler, he was was the Beijing correspondent for The New Yorker and a contributor to National Geographic.  Previously he had written for the Atlantic Monthly, New York Times, Boston Globe, and the Wall Street Journal. . . .

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RPCV Matt Davis (Mongolia 2000-02) publishes memoir

Out this month is Matt Davis’s (Mongolia 2000–02) memoir of Mongolia, When Things Get Dark: A Mongolian Winter’s Tale. In a cover blurb Peter Hessler (China 1996–98) writes, “Matthew Davis’s portrait of Mongolia is riveting, insightful, and deeply honest.” Matt received his MFA from the University of Iowa’s Writing Program (other fine RPCV writers who graduated from this program are Richard Wiley (Korea 1967–69), Phil Damon (Ethiopia 1963–65), Bob Shacochis (Eastern Caribbean 1975–76), and John Givens (Korea 1967–69). At Iowa Matt was an Arts Fellow, a writer-in-residence at the Museum of Art, and a postgraduate Writing Fellow. Today Matt is a fellow and student at Johns Hopkins School of Advanced International Studies in Washington, D.C. On June 9, 2009 Peace Corps Worldwide published an interview I did with Matt about his book.  In the interview I asked Matt what other Peace Corps memoirs he had read and he replied, “Well, I’ve read Peter Hessler; George Packer; Tom Bissell; Sarah . . .

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Peace Corps At Day One: #11

Shriver, it turns out, (at least according to Warren Wiggins) was not an easy man to work for. “I’m not the first to say that and I found that in the early days it was close to impossible working for Sarge,” Warren told me in our 1997 interview. “I failed to build a good relationship with him in that first period. It was so bad that I went to Jack Bell, who worked for C. Douglas Dillon (the number two man in the State Department), and asked Bell to get me out of the Peace Corps. I couldn’t take it. Bell won’t let me quit. He told me the Peace Corps was too important. Then I went to lunch with Franklin Williams. I didn’t know him very well, but I liked him. I told him the story, how Shriver won’t see me. He won’t pay any attention to me. And Franklin . . .

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Peace Corps At Day One, # 10

The People In The Pews Shriver in those first days was fond of talking about how his staff got to the Peace Corps. “Tom Mathews was on a skiing trip in Alta, Utah, when I called him. He arrived in Washington still wearing his ski boots. Gordon Boyce got a telegram and arrived the very next afternoon. At the time our payroll arrangement were slow and inadequate and most of these people worked for as long as three months without pay.” The Peace Corps was a disorganized mess. When Lee St. Lawrence, Director of the Far East Regional Office, arrived he took one long look at the confusion and commented to no one in particular, “this place is all fouled up.” Then he wanted to know which desk was his. Others came on ‘day one’ and stayed where Charlie Nelson, Willie Warner, Sally Bowles, Charlie Peters, John Corcoran, Nan McEvoy, John Alexander. There . . .

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University Plans First Event For The Peace Corps 50th Anniversary

[There is a plaque on the steps of the University of Michigan Student Union at Ann Arbor that reads: Here at 2:00 A.M. on October 14, 1960, John Fitzgerald Kennedy first defined the Peace corps. He stood at the place marked by the medallion and was cheered by a large and enthusiastic student audience for the hope and promise his idea gave the world. In her book, Come As You Are: The Peace Corps Story, Coates Redmon tells what happened next: Kennedy was making an unannounced stop at the University of Michigan in the last month of his campaign for the presidency to rest up after his third debate with Richard Nixon. The Ann Arbor crowd had been gathering, by means of word of mouth, since the middle of the evening. Deborah Bacon, the dean of women at Michigan, knew of the visit and was ‘inspired’ to lift the ban . . .

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100 Days (Or Less) Part Eleven: Day Six

Day Six The invention of movable type created opportunities for writers that could barely be imagined in Gutenberg’s day. The opportunities that await writers in the near future are immeasurably greater.  Jason Epstein, editor You need a strong protagonist regardless of what you are writing, a novel, memoir, or non-fiction. Most writers have a problem with creating a character who is larger than life, fully developed, and a consistent protagonist. For books of non-fiction, the larger than life hero (or villain) steps out of the pages of history. He or she is the reason you are drawn to the story. Remember, your protagonist is your story’s major character. This is the person with whom your reader will identify. You want your readers to care about your protagonist. He or she is your new best friend. You need to care about your protagonist. If you as the writer hate the protagonist . . .

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Review Of Cynthia Morrison Phoel (Bulgaria 1994-96)

Reviewer Mark Brazaitis is the author of three books of fiction, including The River of Lost Voices: Stories from Guatemala, winner of the 1998 Iowa Short Fiction Award, and Steal My Heart, a novel that won the Maria Thomas Fiction Award given by Peace Corps Writers. His latest book is The Other Language: Poems, winner of the 2008 ABZ Poetry Prize. His short fiction has appeared in Ploughshares, The Sun, Witness, Notre Dame Review, Confrontation, and elsewhere. • Cold Snap: Bulgaria Stories by Cynthia Morrison Phoel (Bulgaria 1994–96) Southern Methodist University Press June 2010 208 pages $22.50 Reviewed by Mark Brazaitis (Guatemala 1991–93) Good fiction works from the inside out. Yes, The Sun Also Rises is a novel about post-World War I Paris, with a little Spanish bullfighting thrown in, but it’s essentially and vividly the story of a man (Jake Barnes) who loves a woman (Lady Brett Ashley) who . . .

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Peace Corps At Day One, # 9

The only RPCV book that focuses exclusively on Peace Corps Training–that I know about– is Alan Weiss’ (Nigeria 1963-64) High Risk/High Gain published in 1968 by St. Martin’s Press. It is Alan’s account of  training at Columbia University in the summer of 1963. It is a funny, outrageous, and a sad book.  In his book, Alan focuses on the elaborate system  ‘someone’ at the Peace Corps had created, a series of rating from High Risk/Low Gain to Low Risk/High Gain. All of the PCVs in those early years was so graded in our Peace Corps Training report card. A year after my tour in Ethiopia I returned to Addis Ababa as an APCD. In the office files, in the old Point Four building, I discovered in a bottom file cabinet drawer a copy of how the psychologists back in Georgetown Training had evaluated all of us, the first PCVs to Ethiopia. I went down the long list of some 275 PCVs and found my name and my rating. . . .

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Review of RPCV Jesse Lonergan's Joe and Azat

Born in Manhattan, reviewer Ian Kreisberg is older than MTV but younger than Etch-A-Sketch, making him contemporary with Lite-Brite. Like his contemporary, Ian exists to entertain others; a skill he has been honing for over 2 decades. Ian is a calligrapher, graphic designer, comedian, and amateur maker of comics. He lectures on the subject of comics as a medium at colleges and art galleries. While he has never been in the  Peace Corps, his best friends have! And to prove that he could be a PCV, he spends time with friends, plays punk ukulele, reads comics, and tries desperately to keep track of his ideas. To get him ready  to serve, I asked if he would review Jesse Lonergan’s (Turkmenistan 2005-07) graphic novel. • Joe and Azat by Jesse Lonergan (Turkmenistan 2005–07) ComicsLit, November 2009 95 pages $10.95 Reviewed by Ian Kreisberg Before I praise Jesse Lonergan for the use . . .

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Peace Corps At Day One, # 8

Early training for the Peace Corps–this was in 1961–was on college campuses like the University of Michigan, but for some Trainees it also meant “field training” in Puerto Rico, the Rocky Mountains, and other locations. The first Puerto Rico site ws located in the mountains south of Arecibo. This training came about, or so it seems, because Shriver in February and March of ’61 reviewed the British Volunteer Service Overseas (VOS) program. These schools exposed their student to unexpected challenges and the students were judged by how well they reacted to new situations. This method, I understand, was developed during World War II and was later adopted by the British industry as a technique for training potential leaders. Shriver got in touch with the Outward Bound Trust, governing body of the schools, and got the help of two of their members, Sir Spencer Summers, chairman of the Trust, and Captain Frederick Fuller, Headmaster of the oldest Outward Bound . . .

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100 Days (Or Less) Part Ten: Day Five

Day Five You can never know enough about your characters. W. Somerset Maugham Get a stack of 5 X 7 cards and put each character’s name at the top on a card. Next, think about the role each plays in your story, and what kind of person each is: age, education, place of birth, hot-headed, funny, fat, ugly. What are their quirks? Do they wash their hands 500 times a day? Do they hear voices? Are they kind to kids but love to torture cats? Do they have a favorite expression or phrase that they say over and over again?  Put it down, put down so much that you finally come to know these characters intimately. Alfred Hitchcock would write down the scenes of his movies on index cards, one scene to a card. That way, as he said, by the time he was ready to shoot the film, he . . .

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Peace Corps At Day One, # 7

Training I Ordinary Americans had rarely been trained systematically for service overseas. As assistant Secretary of State Harlan Cleveland pointed out in his study, “The Overseas American,” attempts at orienting Americans to overseas service had usually been casual and totally inadequatee. As a result many Americans living abroad, whether privately or as officials, had not had a real understanding of the society in which they found themselves. Fewer still had learned the local language. These were the errors the Peace Corps resolved to avoid when they began Peace Corps Training in the summer of 1961. When the Peace Corps was established on March 1, there were few guidelines on how to train PCV effectively for service in the Third World. Faced with this dearth of precedents, Associate Director Larry Dennis sponsored a series of Peace Corps Institutes which brought people together from Government agencies, universities, foundations, business, labor and professional and . . .

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Peace Corps At Day One, # 6

SELECTION II The test battery was only one phase of the selection process. Selection began when an applicant filled out the questionnaire and returned it to the Peace Corps. This process of volunteering represented a kind of “self-selection” and it was in no small part responsible, or so Peace Corps/Washington thought, “for the generally high calibre of Peace Corps applicants in those early days.” Further “self-selection” occurred when and applicant was offered an invitation to train for a specific project and was free to accept or decline the invitation. Potential Volunteers listed various references on the questionnaire and they were contacted. What was learned (and this surprised the Peace Corps selection staff) was that the attention paid to the recommendations by referents provided a “valuable tool for selection.” [In later years, when doing studies on how ‘successful’ PCVs were overseas, the Peace Corps found that the evaluations by PCV’s mothers proved to be the most accurate of all on . . .

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100 Days (Or Less) Part Nine: Day Four

Day Four Begin with an individual and you find that you have created a type; begin with a type and you find that you have created-nothing.  F. Scott Fitzgerald For the novel that you are writing pick your characters first, as they are harder to pick than a story. In his book on writing the legendary book editor Thomas McCormack writes, “There is no doubt in my mind that the choice of the cast of characters is the most important decision the novelist makes, and that the choice cannot be optimally informed without attention to how they plug into one another, their circuitry.” When writing, the plot may or may not change, but the characters will develop and have lives of their own. As your characters develop, they’ll take on distinct personalities, and as with good friends, you’ll know in certain situations what they will or will not do. Mystery . . .

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