by Mary K. Cantrell November 9, 2021 Photos by Cody Bjornson • “I’m not a Buddhist. I’m not anything. I’m an artist. I’m a fool,” Ho Baron (Nigeria 1966-67, Ethiopia 1968) muses on his identity early one morning while wandering the brick paths of his self-made sculpture garden outside of his home in El Paso’s Manhattan Heights Historic District. Baron wears a T-shirt, cargo shorts, white tube socks, and a mischievous expression. Baron, 79, is surrounded by totemic, surreal creatures of his own making. His “gods for future religions,” a tongue-in-cheek concept, are humanoid figures cast in bronze and stone. With deep grooves and maze-like textures, they appear simultaneously ancient and futuristic. The artist decided to capitalize on his ability to reach an audience, given his house’s location right off of the busy Piedras Street, and set up a public sculpture garden with twelve primary pieces, which he jokingly refers . . .
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