Archive - December 15, 2015

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Mark Wentling(Honduras 1967-69 & Togo 1970-73) Comments on Steven Radelet’s (Western Samoa 1981-83) The Great Surge: The Ascent of the Developing World
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Your Novel Needs a Structure; You Need a Structure

Mark Wentling(Honduras 1967-69 & Togo 1970-73) Comments on Steven Radelet’s (Western Samoa 1981-83) The Great Surge: The Ascent of the Developing World

Comments about The Great Surge: The Ascent of the Developing World by Steven Radelet (Samoa 1981–83) by Mark Wentling, December 15, 2015 • “Is the glass half-full or half-empty? Radelet’s ‘surge’ viewed from an African angle.” I enjoyed reading Dr. Radelet’s new book, The Great Surge. I applaud the efforts he and his team deployed to produce such an acclaimed book. I’m dazzled and enriched by all the information contained in this book to support his convincing argument that the number of poor people in the world today is less than at any previous time in history. It is difficult to review a book that quotes all pertinent sources and leaves no stone unturned. It appears that he has contacted everyone of any importance in academia about this critically important subject. Almost every sentence cites a key statistic or reference. His book is so chock full of facts and citations . . .

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Your Novel Needs a Structure; You Need a Structure

Your Novel Needs a Structure You Need a Structure The hardest part about writing a novel is writing a novel. Now there’s a declarative sentence! But it’s so true. To write a novel you need a structure: a beginning and middle and end. Characters. Plot. Scenes. Events. But more importantly you need a frame for the length of your book on which you can hang your story: the action, characters, metaphors, plot twists, and drama. Think of your novel as a room you have to measure with a long industrial ruler, one of those big, fat ones carpenters carry and whip out of their pockets like an old fashioned six shooter. That’s your plan. Your focus. Your design. That is how you will tell your tale. You will measure the scenes and incidents, the drama and the dialogue and make sure everything fits. That’s your plan for writing your novel. . . .

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