Archive - May 30, 2024

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Tom Bayer (Mali) at Creative Associates Intl.
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IF MY HAIR HAD A VOICE by Dana Marie Miroballi (Uzbekistan)

Tom Bayer (Mali) at Creative Associates Intl.

  About Creative Associates International Creative Associates International is a social-impact company that works collaboratively to deliver locally led, sustainable solutions to take advantage of development opportunities and to address today’s most pressing challenges.   Drawing on nearly five decades of experience in more than 90 countries, Creative has developed a reputation for technical excellence, innovation and flexibility. Creative has worked extensively in non-permissive environments, giving it the tools and expertise to keep our partners and beneficiaries safe while achieving maximum impact for our clients.  Practice Area Director, Conflict Prevention & Stabilization Tom Bayer (Mali 1984-88) leads Creative’s programming focusing on fragility, conflict prevention and transitioning communities to peace. As part of Creative’s Communities in Transition division, the practice area’s team supports the integration of conflict awareness and sensitivity across Creative’s programs worldwide. The Conflict Prevention & Stabilization practice area currently manages programming in West Africa, the Middle East and Latin America, as well as two indefinite quantity contracts— Programming for Prevention and Peacebuilding (P4P2) and . . .

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IF MY HAIR HAD A VOICE by Dana Marie Miroballi (Uzbekistan)

  If My HAIR had a VOICE (Children’s Book) by Dana Marie Miroballi (Uzbekistan); Patricia Grannum. illustrator May 2024 40 pages $15.58 (Kindle); $16.40 (Hardcover)     “If your hair had a voice, it would sing of diversity and identity. It would tell you stories of our history.” In her debut children’s book, Chicago writer Dana Marie Miroballi tells the story of a young Black girl who learns to love her natural hair — and the rich culture and history that come with it. The book follows a young girl as she embarks on a journey to learn more about her afro-textured hair and its various styles, from braids that are decorated with beads like the Fulani from Western Africa to Bantu knots like the Zulu from Southern Africa. The girl soon discovers that while her hair doesn’t have a voice, she does — and she uses it to share . . .

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