Archive - November 6, 2013

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Carrie Hits It Out of the Ball Park at Senate Hearing
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From the Atlantic Monthly: Bob Shacochis (Eastern Caribbean 1975-76) Should Literature Be Personal or Political?

Carrie Hits It Out of the Ball Park at Senate Hearing

The U.S. Senate Committee on Foreign Relations, Chaired by Senator Ed Markey, this Wednesday morning was a love feast for Carrie Hessler Radelet (Western Samoa 1981-83) at her Nomination Hearing. However, most of the hugs and kisses went to Harris Wofford, the former senator, and also a chief architect of the Peace Corps, one of the famous early Mad Men of the Peace Corps who in 1960 met with Shriver in the Mayflower Hotel and hatched out the idea of the agency. So much was the tribute to Wofford that at the close of the Hearing, Markey asked for a round of applause for Wofford, saying the Committee was ‘honored to have him there” to nominate Carrie for the job as Director of the Peace Corps. Harris even got a kiss from Carrie! Harris, for a man in his mid-80s, was sharp and articulate and, as always, rallying support for . . .

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From the Atlantic Monthly: Bob Shacochis (Eastern Caribbean 1975-76) Should Literature Be Personal or Political?

[By Heart is a series on the Atlantic Blog edited by Joe Fassler in which authors share and discuss their all-time favorite passages in literature. Here is the last by Fassler and Shacochis. Joe Fassler: Is a writer obligated to address the way that powerful institutions affect how we live and what we feel? Or is it enough to conjure life on the scale of garden, bed, and kitchen table? Bob Shacochis, author of The Woman Who Lost Her Soul, is more qualified than most to answer these questions, to sort out the relationship between what he calls “the literature of political experience” versus “the literature of domestic experience.” For years, he wrote the “Dining In” column for GQ-short, wistful celebrations of the meals prepared and shared with a beloved woman. (He collected these essays, which include recipes, in a book aptly titled Domesticity.) But Shacochis’s fiction, and his globe-trotting work as a . . .

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