Kenya

What strikes me now rereading Girls At Play is how Theroux did not linger with prose on the beauty of Africa, as he has quite wonderfully uses his evocative skills in other books and essays. In those early books he does not wax and wane as RPCV writers tend to do (including myself) on descriptions of the landscape. In those three novels, he was more interested in the play of personalities in Africa than the lay of the land. Theroux’s third novel on Africa is Jungle Lovers which focuses on Malawi, looking at the changing political and social climate of the country. It came about because of what happened to him when he was teaching at the university in Kampala. “Jungle Lovers was the result of my departure from Africa,” Paul writes. “In 1968, after five years in Malawi and Uganda, my wife and I were attacked by rioting students . . .

Theroux’s first novel Waldo was a picaresque story of a young man who became a success as a writer. It sold around 4000 copies, which was impressive for a first novel, but did not generate enough money for Theroux to quit his day job. His second novel Fong and the Indians, was the first of many “African books” and it was his first book (of many) that dealt with the complexities of a changing Africa. The protagonist was a bungling anti-hero, Sam Fong, a Chinese Catholic grocer. It, too, had limited sales and while it had good reviews, especially in England, it didn’t make any best seller lists. Then came Girls at Play a year later. Paul would write about writing Girls at Play: “My future wife taught at a girls’ school in Kenya. While I was writing (Fong and the Indians), I courted her by driving hundreds of miles . . .

I have been working my way through a new collecting of short stories by Paul Theroux, Mr. Bones: Twenty Stories, which Houghton Mifflin Harcourt published this September. Only one of the stories (so far) relates to his time in Africa. It is entitled, “I’m the Meat, You’re the Knife.” It is the last story in the collection. (Writers–or perhaps their editors–) selected the best stories for the first and last ones in any collection. I first read Girls At Play in the late Sixties. This novel was his third. His first book was Waldo (1967), next three were set in Africa. Fong and the Indians (1968), Girls at Play (1969), and Jungle Lovers (1971).  At the time, I remember reviewers were saying Theroux was ‘writing too fast,’ that he should slow down his publishing. At the same time Saturday Review called Fong and the Indians “a small masterpiece.”  (If he . . .

The 1995 recipient of the Moritz Thomsen Peace Corps Experience Award presented by PEACE CORPS WRITERS for the best short description of life in the Peace Corps. • Better Remember This by Meg Sullivan (Kenya 1992–94) YOU’D BETTER REMEMBER THIS. Because people will ask you. Whether you want them to or not, they’ll ask you how Africa was. And though you won’t know where to start, you’re going to have to have something to tell them. A shrug of the shoulders and “Good” won’t be enough. So you’d better remember this. Open the parts of your mind you need, and work them over until you’ve got them just right. Then put what you know in a place the will be easy for you to get to. Deep, but not too deep. Just enough so that even though no one else can see it, you know it’s there, and you can . . .