Author - John Coyne

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Fulbright Program Looking For Peace Corps Writers And Professors
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100 Days (Or Less) Part Fourteen:Day Nine
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Review of Toby Lester (Yeman 1988-90) The Fourth Part of the World
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New Film On JFK Changes Peace Corps History
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Peace Corps At Day One: #12 The Very First PCV
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100 Days (Or Less) Part Thirteen: Day Eight
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Books Nominated For Peace Corps Awards, (So Far)
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100 Days (Or Less) Part Twelve: Day Seven
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Peter Hessler Appearing In San Francisco
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RPCV Matt Davis (Mongolia 2000-02) publishes memoir
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Peace Corps At Day One: #11
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Peace Corps At Day One, # 10
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University Plans First Event For The Peace Corps 50th Anniversary
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100 Days (Or Less) Part Eleven: Day Six
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Review Of Cynthia Morrison Phoel (Bulgaria 1994-96)

Fulbright Program Looking For Peace Corps Writers And Professors

Gary L. Garrison (Tunisia 1966-69) the Assistant Director, Asia, of the Institute of International Education dropped me a note to let me know of “opportunities for international teaching and research available in the Fulbright Scholar Program during the 2011-12 academic year.  Open to writers, college and university faculty and independent professionals, the program seeks qualified candidates to teach in higher education institutions in countries worldwide. We value the experience and expertise of former Peace Corps Volunteers who wish to participate in another great international program, the Fulbright Program.  Writers have held teaching or research awards in recent years in places such as India, Korea, Philippines, Lesotho, Egypt, Israel, Jordan, Romania, Russia, Hungary, Brazil, Colombia and many others.  I hope your Peace Corps writers (and teachers) will consider joining them as Fulbright Scholars.” You can check by countries at http://catalog.cies.org/index.aspx. The Fulbright Scholar Program and Fulbright Humphrey Fellowship Program are administered by . . .

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100 Days (Or Less) Part Fourteen:Day Nine

Day Nine 1. Write. 2. Write more. 3. Write even more. 4. Write even more than that. 5. Write when you don’t want to. 6. Write when you do. 7. Write when you have something to say. 8. Write when you don’t. 9. Write every day. 10. Keep writing. Brian Clark www.copyblogger.com You now have made: A commitment to writing your book Developed a working schedule Know what your story is Have developed a number of characters Thought of a plot of the entire story Have a short narrative of what your book is about Take the day off. This is the first of the Coyne Holidays. Time to let your book brew in your subconscious while you decide if you want to continue the course, invest money and yourself in How To Write A Novel In 100 Days or Less. To help you decide, I am including now a . . .

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Review of Toby Lester (Yeman 1988-90) The Fourth Part of the World

Reviewer David A. Taylor is the author of three books, including Ginseng, the Divine Root, winner of the 2007 Peace Corps Writers Award for Travel Writing, and Success: Stories, a fiction collection finalist in the Library of Virginia’s 2009 Literary Awards. His recent book is Soul of a People: The WPA Writers’ Project Uncovers Depression America, selected as a Best Book of 2009 by the Pittsburgh Post-Gazette. He wrote and co-produced a documentary film of Soul of a People, nominated for a 2010 Writers’ Guild award. Here David reviews Toby Lester’s The Fourth Part of the World • The Fourth Part of the World: The Race to the Ends of the Earth, and the Epic Story of the Map that Gave America Its Name by Toby Lester (Yemen 1988–90) Free Press $30.00 2009 Reviewed by David A. Taylor (Mauritania 1983–85) In The Fourth Part of the World, Toby Lester (Yemen . . .

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New Film On JFK Changes Peace Corps History

According to a front page article in The New York Times this morning there is a new mini-series about John F. Kennedy’s presidency being written for the History channel, and while there is no cast or footage yet, those who know anything about JFK want the script stopped.  The reason being, they say, the “Kennedys” screenplays contain many factual errors, some benign, some outrageous.” For example, one mistake that hits close to home to all of us is that the script has President Kennedy introducing the Peace Corps during the Bay of Pigs crisis in April 1961, when in fact JFK signed an executive order creating the agency one month earlier. The mini-series, called “The Kennedys,” is being produced by  Joel Surnow, a political conservative. Kennedy scholars say the script offers a portrait of the president and his  family that is, at best, inaccurate, and at worst, a hatchet job. Mr. Kronish, the script writer, says that some factual details, like . . .

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Peace Corps At Day One: #12 The Very First PCV

Within the RPCV crowd from those early days there is a lot of joshing about who was first in Training, first in-country, first on the job. Mostly the discussion (argument?) goes on with RPCV from Ghana, Tanganyika, Colombia, and the Philippines. (The rest of us couldn’t care less.) But for the record: Colombia I started Training on 6/25/61 (48 Trainees) Tanganyika on 6/25/61 (35 Trainees) Ghana on 7/2/61 (51 Trainees) Nigeria I on 7/24/61 (39 Trainees) Nigeria II on 9/18/61 (24 Trainees) Nigeria III on 9/20/61 (45 Trainees) Sierra Leone on 11/7/61 (32 Trainees) Philippines I on 7/13/61 (272 Trainees in 4 Training Projects) Philippines II on 8/25/61 Philippines III on 12/7/61 Philippines IV on 3/29/62 Thailand on 10/9/61 (45 Trainees) Chile on 7/20/61 (45 Trainees) St. Lucia on 8/1/61 (15 Trainees) India on 10/1/61 (26 Trainees) Pakistan-West 9/15/61 (28 Trainees) Pakisten-East 8/30/61 (29 Trainees) Malaya I 10/16/61 (67 Trainees) We also know that . . .

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100 Days (Or Less) Part Thirteen: Day Eight

 I sit here religiously every morning-I sit down for eight hours every day-and the sitting down is all. In the course of that working day of 8 hours I write 3 sentences which I erase before leaving the table in despair…. Sometimes it takes all my resolution and power of self-control to refrain from butting my head against the wall.  Joseph Conrad Keep asking the question, “why?” As you reach the start of your second week you will have a stack of 5×7 character cards that spell out intimate details about the personal life of each and every character in your story, down to their waist measurement and favorite color. [The novelist Vladimir Nabokov, by the way, composed all of his books on index cards.] You will have a one page summary of what your book is all about, basically the ‘plot’ of your novel. You will also have begun . . .

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Books Nominated For Peace Corps Awards, (So Far)

It is time to nominate your favorite Peace Corps book published in 2009. Send your nomination(s) to John Coyne at: jpcoyne@cnr.edu. You may nominate your own book; books written by friends; books written by total strangers. The books can be about the Peace Corps or on any topic. However, the books must have been published in 2009. The awards will be announced this coming July. Thank you for nominating your favorite book(s) written by a PCV, RPCV or Peace Corps Staff. When sending in your nomination, please cite for what prize, and give the full name of the book, the full name of the author, plus the country and years when the RPCV served. These are the only  books nominated so far. Paul Cowan Non-Fiction Award Heat, Sand, and Friends by Allen W. Fletcher (Senegal 1969–71) First Comes Love, Then Comes Malaria Eve Brown (Ecuador 1988) Maria Thomas Fiction Award Islands . . .

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100 Days (Or Less) Part Twelve: Day Seven

Day Seven When I used to teach creative writing, I would tell the students to make their characters want something right away-even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time. Kurt Vonnegut Figure out who you need in the story and what they do together or to one another, and what the story does to them. Are they all pulling together in one direction? Are they pulling in six different directions? Ask yourself the critical question: Which would be most interesting to the reader? That’s the real litmus test of character development and plotting. Will the reader be interested? Will the reader care? To be successful in character and plot development, you need to make hard choices. You need to be ruthless with your characters and your story. Who’s in, who’s out? What’s in, . . .

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Peter Hessler Appearing In San Francisco

Peter Hessler (China 1996–98) and his wife, Leslie T. Chang, will be speaking on the University of San Francisco Campus on Tuesday, February 23.  Peter will be discussing his new books, Country Driving: A Journey Through China from Farm to Factory, together with Leslie talking about Factory Girls: From Village to City in a Changing China, now out in paperback. The discussion will start at 5:45 in USF Lone Mountain Campus Room 100, (2800 Turk Blvd between Masonic and Parker.) The event is free and open to the public. For information and a reservation, call (415) 422-6357,  and tell Peter you’re a PCV…also buy the book. It is terrific! For those of  you who are new to Peter Hessler, he was was the Beijing correspondent for The New Yorker and a contributor to National Geographic.  Previously he had written for the Atlantic Monthly, New York Times, Boston Globe, and the Wall Street Journal. . . .

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RPCV Matt Davis (Mongolia 2000-02) publishes memoir

Out this month is Matt Davis’s (Mongolia 2000–02) memoir of Mongolia, When Things Get Dark: A Mongolian Winter’s Tale. In a cover blurb Peter Hessler (China 1996–98) writes, “Matthew Davis’s portrait of Mongolia is riveting, insightful, and deeply honest.” Matt received his MFA from the University of Iowa’s Writing Program (other fine RPCV writers who graduated from this program are Richard Wiley (Korea 1967–69), Phil Damon (Ethiopia 1963–65), Bob Shacochis (Eastern Caribbean 1975–76), and John Givens (Korea 1967–69). At Iowa Matt was an Arts Fellow, a writer-in-residence at the Museum of Art, and a postgraduate Writing Fellow. Today Matt is a fellow and student at Johns Hopkins School of Advanced International Studies in Washington, D.C. On June 9, 2009 Peace Corps Worldwide published an interview I did with Matt about his book.  In the interview I asked Matt what other Peace Corps memoirs he had read and he replied, “Well, I’ve read Peter Hessler; George Packer; Tom Bissell; Sarah . . .

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Peace Corps At Day One: #11

Shriver, it turns out, (at least according to Warren Wiggins) was not an easy man to work for. “I’m not the first to say that and I found that in the early days it was close to impossible working for Sarge,” Warren told me in our 1997 interview. “I failed to build a good relationship with him in that first period. It was so bad that I went to Jack Bell, who worked for C. Douglas Dillon (the number two man in the State Department), and asked Bell to get me out of the Peace Corps. I couldn’t take it. Bell won’t let me quit. He told me the Peace Corps was too important. Then I went to lunch with Franklin Williams. I didn’t know him very well, but I liked him. I told him the story, how Shriver won’t see me. He won’t pay any attention to me. And Franklin . . .

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Peace Corps At Day One, # 10

The People In The Pews Shriver in those first days was fond of talking about how his staff got to the Peace Corps. “Tom Mathews was on a skiing trip in Alta, Utah, when I called him. He arrived in Washington still wearing his ski boots. Gordon Boyce got a telegram and arrived the very next afternoon. At the time our payroll arrangement were slow and inadequate and most of these people worked for as long as three months without pay.” The Peace Corps was a disorganized mess. When Lee St. Lawrence, Director of the Far East Regional Office, arrived he took one long look at the confusion and commented to no one in particular, “this place is all fouled up.” Then he wanted to know which desk was his. Others came on ‘day one’ and stayed where Charlie Nelson, Willie Warner, Sally Bowles, Charlie Peters, John Corcoran, Nan McEvoy, John Alexander. There . . .

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University Plans First Event For The Peace Corps 50th Anniversary

[There is a plaque on the steps of the University of Michigan Student Union at Ann Arbor that reads: Here at 2:00 A.M. on October 14, 1960, John Fitzgerald Kennedy first defined the Peace corps. He stood at the place marked by the medallion and was cheered by a large and enthusiastic student audience for the hope and promise his idea gave the world. In her book, Come As You Are: The Peace Corps Story, Coates Redmon tells what happened next: Kennedy was making an unannounced stop at the University of Michigan in the last month of his campaign for the presidency to rest up after his third debate with Richard Nixon. The Ann Arbor crowd had been gathering, by means of word of mouth, since the middle of the evening. Deborah Bacon, the dean of women at Michigan, knew of the visit and was ‘inspired’ to lift the ban . . .

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100 Days (Or Less) Part Eleven: Day Six

Day Six The invention of movable type created opportunities for writers that could barely be imagined in Gutenberg’s day. The opportunities that await writers in the near future are immeasurably greater.  Jason Epstein, editor You need a strong protagonist regardless of what you are writing, a novel, memoir, or non-fiction. Most writers have a problem with creating a character who is larger than life, fully developed, and a consistent protagonist. For books of non-fiction, the larger than life hero (or villain) steps out of the pages of history. He or she is the reason you are drawn to the story. Remember, your protagonist is your story’s major character. This is the person with whom your reader will identify. You want your readers to care about your protagonist. He or she is your new best friend. You need to care about your protagonist. If you as the writer hate the protagonist . . .

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Review Of Cynthia Morrison Phoel (Bulgaria 1994-96)

Reviewer Mark Brazaitis is the author of three books of fiction, including The River of Lost Voices: Stories from Guatemala, winner of the 1998 Iowa Short Fiction Award, and Steal My Heart, a novel that won the Maria Thomas Fiction Award given by Peace Corps Writers. His latest book is The Other Language: Poems, winner of the 2008 ABZ Poetry Prize. His short fiction has appeared in Ploughshares, The Sun, Witness, Notre Dame Review, Confrontation, and elsewhere. • Cold Snap: Bulgaria Stories by Cynthia Morrison Phoel (Bulgaria 1994–96) Southern Methodist University Press June 2010 208 pages $22.50 Reviewed by Mark Brazaitis (Guatemala 1991–93) Good fiction works from the inside out. Yes, The Sun Also Rises is a novel about post-World War I Paris, with a little Spanish bullfighting thrown in, but it’s essentially and vividly the story of a man (Jake Barnes) who loves a woman (Lady Brett Ashley) who . . .

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