Archive - July 21, 2023

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“How to Write a Memoir” by Bonnie Black (Gabon 1996-98)
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THE SHOWGIRL AND THE WRITER by Marnie Mueller (Ecuador)

“How to Write a Memoir” by Bonnie Black (Gabon 1996-98)

If I were still teaching Creative Nonfiction Writing at the University of New Mexico in Taos, I would assign this book to my students to read and study carefully, because I think it’s an excellent example of contemporary memoir writing done well. Some people, I’ve found, confuse memoirs with autobiographies. To clarify: Autobiographies are stories of a life – written by (or ghost-written for) famous people who have a built-in following. Their fans have a deep-seated curiosity: How in the world did she (or he) become so famous? So they’re willing to follow that person’s story from cradle to however close to the grave this celeb might now be — all the ups and downs of that person’s life that led to their enviable fame. Memoirs, on the other hand, are stories from a life. Not the whole life story, but rather the life-changing part or parts, drawn from the life of a regular, ordinary . . .

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THE SHOWGIRL AND THE WRITER by Marnie Mueller (Ecuador)

  The Showgirl and the Writer: A Friendship Forged in the Aftermath of the Japanese American Incarceration by Marnie Mueller (Ecuador 1963-65) Peace Corps Writers 488 pages July 2023 $16.95 (Paperback) The Showgirl and the Writer, A Friendship Forged in the Aftermath of the Japanese American Incarceration, by Marnie Mueller, is a hybrid memoir/biography. It encompasses Mueller’s own story, beginning at her birth to Caucasian parents in the Tule Lake Japanese American High Security Camp in Northern California, and tells the tale of her long friendship with Mary Mon Toy, a Nisei performer who was incarcerated in the Minidoka Japanese American Camp in Idaho during WWII. The two met by chance in 1994. By then Mueller was a published author and Mary Mon Toy by necessity of old age, had retired from an unusually successful career on stage and television, for an Asian American actor of her time. After Ms. . . .

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