Archive - July 14, 2020

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Review — SOUND MACHINE by Lawrence Lihosit (Honduras)
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Allen Mendenhall interviews Melissa Fischer (Ghana), author of THE ADVOCACY

Review — SOUND MACHINE by Lawrence Lihosit (Honduras)

  Sound Machine: Flat-Top Guitars’ Materials & Care by Lawrence Lihosit (Honduras 1975-77) Self-published 70 pages May 15, 2020 $9.95 (paperback)   Reviewed by Alan Schwartz (NRPCV) • The title of this compact book cuts right through pretensions as in “The Art of…” /  “The Craft of…” / or the “How to…” tiresome millions. Lawrence Lihosit has written a guide to the way a guitar works. Sound Machine: Flat-top Guitars’ Materials & Care explains it all from the construction to the mechanisms to where to store it at home or how to do so when you’ll be away. He starts with how sound is produced inside the instrument when you strike a string, then provides the nomenclature for all the parts of the instrument, explains the function of the various woods used and/or combined in the body or neck of the guitar All this in an unpretentious, lively style loaded with solid . . .

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Allen Mendenhall interviews Melissa Fischer (Ghana), author of THE ADVOCACY

  SOUTHERN LITERARY REVIEW A Magazine for Literature of the American South • AM:  I’m glad we have this opportunity, Melissa, to talk about your profound new book, The Advocacy, which is set in 1992 in Obuasi, Ghana, a mining town known for its gold. You lived in this town in 1992 and remained there for a few years while you worked for the Peace Corps. How did your experiences shape and inform the writing of The Advocacy? MF:  Thank you, Allen, for your kind words and for this opportunity to talk about The Advocacy. I lived in Obuasi for two years [1992–94], the normal duration of a Peace Corps tour. The experience touched me on a spiritual level. The richness of that life inspired my dedication to completing the novel over the course of 25 years. I find that a story lives in the telling, not within the premise or plot. For . . .

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