Archive - June 24, 2019

Press Release Peace Corps renews partnership with National Peace Corps Association in Austin, Texas 6/24/2019 5:56 PM NPCA President Glenn Blumhorst and Peace Corps Director Jody Olsen signed a joint MOU at Peace Corps Connect. AUSTIN, TX – Peace Corps Director Jody Olsen and National Peace Corps Association (NPCA) President Glenn Blumhorst signed a Memorandum of Understanding June 21 to renew the organizations’ commitments to support the Peace Corps’ mission. The two groups will continue to implement initiatives that promote a better understanding among Americans of other people and cultures around the world and educate the public on Peace Corps programs and service opportunities. The memorandum was signed during the Peace Corps Connect conference—an annual gathering of returned Peace Corps volunteers hosted by NPCA. The 2019 conference took place in Austin, Texas, with the help of the Heart of Texas Peace Corps Association, and centered on the theme “Innovation for . . .

    Rowland Scherman was the first or second photographer for the Peace Corps in 1961. His photographs appeared in Life, Look, Time, National Geographic, Paris Match and Playboy, among many others. He photographed many of the iconic musical, cultural, and political events of the 1960s, including the 1963 Newport Folk Festival, the Beatles first US concert, and Woodstock. He won a Grammy Award in 1968 for his photograph cover of Bob Dylan’s Greatest Hits. His published collections include “Love Letters”, an alphabet formed by posed dancers, and “Elvis is Everywhere.” He lived lives today on Cape Cod. [6] Rowland Scherman describes his day as the official photographer for USIA at the March on Washington, 1963. In his book, Timeless–photography of Rowland Scherman, Scherman shows and comments on some of his most famous pictures. A documentary movie was made about Rowland Scherman by Chris Szwedo, called Eye on the Sixties; it has been shown on public television and at the Smithsonian. The film is today at 1 pm on many PBS . . .