[Jack Niedenthal's first six years in the Marshall Islands were all spent in the isolated jungles of the outer islands. He was a Peace Corps Volunteer on Namu Atoll from 1981 to 1984. He then contracted to work with the Bikini Council on Kili Island from 1984 through late 1986 teaching English to the adults, teaching in the elementary school and working with the Kili/Bikini/Ejit Local Government Council.
 In 1987 he assumed the duties of the Trust Liaison for the People of Bikini, which includes the management and coordination of the funds allocated by the United States government to compensate the Bikinians for their suffering and to facilitate the radiological cleanup of Bikini Atoll. He acts as a liaison for the Council to the media, the U.S. government and its various agencies, the scientists who work on Bikini, the Bikini Council's attorney, trustees, money managers, construction companies, engineers, project managers, auditors and business associates. The Trust Liaison also coordinates travel schedules, is used as an advisor and translator, manages the Bikinians' scholarship program, and is responsible for the Bikini Council's accounting.
 The government of the Marshall Islands awarded him an honorary "Public Benefit" Marshallese citizenship in December of 2000.
 Along with his book about the people of Bikini, For the Good of Mankind(2001), he has published a number of articles, academic papers and photos about the Bikinians in The Guardian (United Kingdom), World View, The Health Physics Journal, the San Francisco Chronicle and others. He also published a chapter about Bikini Atoll in the book, Everything You Know is Wrong, compiled by Russ Kick.
 In 2008, while with his 10 year old son, Max, in a local video store surrounded by the typical Hollywood-based fare, his son asked,

Jack and his son, Jukulius
 ”Why are there no movies in Marshallese?” Realizing what a tragedy it was for the children of the Marshall Islands to grow up without seeing a film in their own language, set in their own country and dealing with issues unique to their own culture, Jack decided to venture into filmmaking. At the age of 50 with no filmmaking experience whatsoever, he founded Microwave Films of the Marshall Islands, bought some filmmaking equipment and, along with co-director and co-producer Suzanne Chutaro (the daughter of a former RMI Peace Corps Volunteer Joe Murphy), made a Marshallese children’s movie, a fairy tale about a mythical Marshallese sprite, entitled Ña Noniep(I am the Good Fairy, 2009).  This film was followed by 3 more feature length films in the Marshallese language, Yokwe Bartowe(Poor Bartowe, 2010), Lañinbwil’s Gift (2011, a film that won numerous awards including “Best of Festival” at the Guam International Film Fest and “Best Foreign Film” at the Hawaii Ocean Film Festival), and now, Ainikien Jidjid ilo Boñ(The Sound of Crickets at Night), a narrative feature film about the people of Bikini Atoll that has already won the Atlantis Award for Foreign Feature Films at the 2012 New York based Moondance International Film Festival, the 2012 Grand Jury Award for Achievement in Acting at the Guam International Film Festival, and was an Official Selection at the prestigious 2012 Hawaii International Film Festival. The film has been submitted to numerous high profile film festivals in the US, Europe and Australia.
 The members of Microwave Films are currently at work on their 5th feature film.]
A recent review of The Sound of Crickets at Night:
Islands-based filmmakers Jack Niedenthal and Suzanne Chutaro have created a provocative and moving drama that weaves three stories of loss and rue into a memorable work of art.
The elderly Jebuki is the patriarch of a fractured family. Forcibly evacuated from Bikini Atoll prior to the atomic weapons testing in 1950s, he has lived in an uneasy exile on Ejit Island in the Marshall Islands. In his old age, he finds himself in financial straits and with recurring chest pains.
Jebuki is also the custodian of Kali, his 10-year-old granddaughter. Kali’s bickering parents have separated, with her father moving away to find work while her mother immigrates to the U.S. with Kali’s beloved sister. Kali’s sorrow causes her health to deteriorate, and Jebuki desperately tries to revive her well-being by summoning Worejabato, an ancient deity from Bikini Atoll.
Then there is an amnesiac American who fell overboard from a private yacht and washes up on the Ejit Island beach. Unable to recall his name, he is dubbed “George Bush” by Kali. But what connection does this stranger have to Jebuki’s call for Worejabato’s help, and why are yacht owners who lost this man at sea so eager to see him put in the local jail?
Niedenthal and Chutaro brush across profound emotional issues - family disintegration, isolation, loss of self-identity and homeland, and the embrace of faith when man-made solutions fail - and plumb their territory with a low-keyed sensitivity that echoes the classic works of Satyajit Ray. Although the cast is made up of nonprofessionals, the ensemble is first-rate, with standout work by 10-year-old Salome Fakatou as Kali and Banjo Joel as Jebuki.
The film does have a few wobbles - particularly in a weird fantasy sequence involving Worejabato and a pair of unpleasant conjoined twins - but, on the whole, this small and remarkable film is one of the year’s most engaging under-the-radar gems.
Read more: http://www.filmthreat.com/reviews/57310/#ixzz2ASMVVbgX

of the Peace Corps headquarters, dedicated with a ceremony open to RPCVs and the Stevens family. With the family, we are considering other ways to honor and remember Ambassador Stevens as well. I will keep you informed as our plans become more clear, including dates for a dedication in History Hall.
treated him like, well, you know how we treated him. He hung around for weeks in Addis Ababa, eating our food, drinking our beer, telling great stories. And then he went all over the Empire, just another guy taking photographs of PCVs doing what we all were doing, teaching, hanging out, being PCVs in town and villages in the middle of nowhere. He was a nice guy. We liked him. He even bought the beer. Hey, he was getting a real salary.  A few of the girls, I know, developed crushes. He was good looking in that quiet, sullen James Dean sort of way. 

www.PeaceCorpsPostcards.com, an interactive website created for the 50th anniversary of the Peace Corps that highlights the influence of the Peace Corps on the lives of past and present volunteers.
The Festival is presenting Maureen and Mike “in conversation.” They will tell stories about their time in Colombia and Ethiopia, give their perspective on what the Peace Corps has meant to the world and to themselves, take questions, and give their take on how far the Bears will get in the playoffs, whether Obama will get a second term, and what is happening in their host countries, as both Maureen and Mike have been back to their sites several times within the last few years.
Lost in that babble is the story of the exemplary life of Chris Stevens who worked for peace throughout his career. Thirty years ago he effectively brought his natural talents and skills to his work as a Peace Corps Volunteer in Morocco. He then built on that experience to become a highly respected U.S. diplomat specializing in U.S./Mid-East affairs serving in Saudi Arabia, Egypt, Syria, Israel and Libya. During the time of the Libyan uprising against Muammar Gaddafi in 2011, Chris served as the American Envoy to the Libyan Transitions National Council in Benghazi — he was our man in Libya during that dangerous time. In May of this year, Chris was named U.S. Ambassador to Libya.






Corps Volunteer.
s at Camp Sizanani.